There was a Twitter challenge going round at the end of 2021: get random scrollers-by to recommend books, pick 12, read them in 2022. The idea was to read something you wouldn’t otherwise have picked up, whether because it hadn’t crossed your path or because it didn’t sound like your thing, or even just because your TBR is 900 books and you hadn’t got round to it.
Well, I have never knowingly turned down an opportunity to add to Mount TBR. I put in some basic specifications of stuff I absolutely would not read, e.g. vampires, YA/NA, or anything blurbed as ‘heartbreaking’, and let the recs flood in. I sifted them to remove the vast numbers of recs for vampires, YA/NA, and books blurbed as ‘heartbreaking’ (as night follows day, honestly). From the remainder, I picked out the ones that struck me as interesting. And here we are.
Out of the 12 books, I had already meant to read four. Possibly this was cheating, but when you have a TBR like mine it’s “by any means necessary”. The others were unfamiliar to me. I picked six SFF (I was clearly in a mood), one romance, two litfic, three non fiction. I wasn’t trying to push my comfort zone here: I just wanted to see what happened.
Three of the books were overwhelmingly not for me. I finished two in a grudging way and DNF’d the third because I did not even slightly click. Not bad books, but not books that I was ever going to like. Bearing in mind I hand-picked these from recs and looking at the blurbs, that’s quite a high nope rate. Good work by Marketing, or do I lie to myself about what I want to read? (I suspect both.)
I DNFed two more books–interestingly, both of them books that I had been meaning to read. Regrettably, they just weren’t very well executed to my mind. Rambling plotting, too many characters, inconsistent characterisation, writing that really needed a firm editorial hand.
Three more were that deeply frustrating thing: books that I almost loved but not quite. One had a random misogynistic stereotype that borked the end of the book, one had a nonsensical plot point that borked the end of the book, and one had a total plot collapse that, wait for it, borked the end of the book. I realise everyone works hardest on the first chapters because they sell the book, but it’s worth remembering that the last chapters sell the next book.
So of the eight books I didn’t feel impressed by, five really needed better editing, and in every case it was developmental editing that was most lacking. All these were from trad publishers, let it be noted.
Developmental editing is hard, and it’s particularly hard to freelance out because it’s such a crapshoot in what needs doing and how long it can take. What looks like a small problem of inconsistent characterisation can reveal itself to be dry rot, weakening the entire structure. The thing the author bodged? They might have bodged it because fixing it means replotting and rewriting the entire second half, whoops. The development editor needs to have the skill to identify problems, the authority to ask for them to be changed, and the time to work through as many revisions as it takes. An awful lot of publishers no longer want to pay for that. It shows.
Okay, let’s get on to the happy bit: The remaining four books were absolute blinders. I had been meaning to read The Devourers but had been putting it off because it looked too scary and might have gone on doing so indefinitely; the other three I had never even heard of. Please take these recommendations:
The Riddle of the Labyrinth Margalit Fox
A terrific example of narrative history, exploring the deciphering of Linear B with tremendous character, humanity, social context, and the bravura of a detective story.
The Posthumous Memoirs of Brás Cubas Machado de Assis
Only went and introduced me to the author generally regarded as Brazil’s greatest. Where has he been all my life? I went off and read two more novels and a collection of short stories without loss of time. This was worth the entire challenge on its own. Honestly, read it.
The Devourers Indra Das
Dark, queer, bloody, horribly physical story of werewolves and love in the Moghul era. Greed and colonialism and toxic masculinity all over. Wonderfully intense. Granted, not for the fainthearted and not a feelgood read, but my goodness it’s a cracker.
How to Hide an Empire Daniel Immerwarh
A fantastic deep dive into the greater United States, and the mainland’s history of invasion, colonialism, and empire building, plus denial of being an empire. A huge amount of history I didn’t know and should have, plus really interesting looks at other means of imperialism (language, standardisation). One of those revelatory books that makes you see the world that bit more clearly.
So. I had 12 books recommended to me. I DNF’d three, didn’t click with two, was not wholly on board with three, and adored four. (I came very close to doing a pie chart at this point, and hope you admire my restraint.) I’d say six of the twelve counted as ‘books I’m glad I read’, even if I didn’t love two of them.
Is 50% a good strike rate, given it was my Twitter followers (in many cases people I often talk about books with) offering heartfelt recommendations?
I think so. Because, thinking about the six books I didn’t like, I have no trouble at all identifying what made someone else love and recommend them. The representation, or the exuberance, or the philosophy, or the kindness, or any of a dozen things. Nobody recommended me a bad book: in four of the six cases, better editing could well have turned them into books I’d have loved. And the thing about ‘better’ in that sentence is, I was an editor for two decades. Of course I think my editorial standards are the boss. But other people read through different lenses with different priorities. They found and loved things in those books that weren’t so important to me, just as they might well find problems that I disregard in my favourite books.
The four winners made the whole exercise worthwhile on their own. But the experience of reading books that other people loved even when I didn’t? Being reminded how very differently we all see things, how no two readers ever read the same book, how easy it is to assume other people are wrong in what they like rather than simply different to me? In these divided days, that’s priceless.
If you’re looking for a new book, The Gentle Art of Fortune Hunting is on sale throughout March 22. Just saying.