When The Magpie Lord was in edits, my editor asked me (very carefully, and giving the impression of typing while positioned behind a protective surface) to change the name of one of the heroes.
This was a perfectly reasonable request. I’d made a schoolgirl error in giving the two main characters names beginning with the same phoneme. Sounds trivial; is not. At a normal reading pace you chunk* text, rather than taking in each letter, so that you don’t so much read the name ‘Crane’ as see ‘Cr—’ and fill in the rest. Therefore, if Hero 1 is Crane and Hero 2 is Crispin (which he was), readers may actually get confused – not because they’re idiots but because that’s how reading works.
So, fair play to my editor, she was quite right. Nevertheless, being asked to change my hero’s name was unbelievably hard.
I know it’s absurd. I know these are imaginary people I made up. I know it’s a story. The fact remains that when I got that email, I stared at the screen for about five minutes, with a hollow feeling in my stomach. I actually felt sick. I went for a very long walk on my own, and spent the first half of it getting my head round the very idea of changing the name. I described the request on my book group as ‘the most invasive thing that’s happened to me since my son’s suction-assisted birth’, and I stand by that as a not-at-all-overdramatic statement. (Ahem.)
Then I got over it and renamed the character ‘Stephen’, which is a far better name for him –still with the cadence and that slightly Old England ring to it, which was what I needed, but more solid, less fragile – and now I can’t remember why I ever imagined anything else. Listen to your editor, kids, she’s always right.
Of course it’s easy for writers now. David Copperfield started life as ‘Thomas Mag’, which is so glaringly wrong it’s almost impossible to imagine. Dickens’ notes show he went through Trotfield (horsey), Trotbury (clerky), Copperboy (weirdly metal) and Copperstone (too hard) before finally hitting on Copperfield. (Victorian nerd klaxon: Dickens readers may recognize that Trot– and –stone were important sounds for the book that made their way into other major character names.)
But Dickens couldn’t write the book with Thomas Mag and change it in edits. No search and replace for him. You had to get it right at the start, or live with it. My husband has a theory that Thomas Hardy named his characters as a shorthand reminder of their plot role — “Hmm, this guy needs to be angelic, sturdy and very English. I’ll remember that if I call him Gabriel Oak.” — and then found himself stuck with them. (Thomas Hardy fans, please address critiques of this theory to my husband. It’s nothing to do with me.)
There’s a lot to be said for doing it the old-fashioned way and getting it right at the start. Not least that I never want to change a main character’s name again.
* this is a real technical term, honest.
Ever changed a character name? Can you imagine your favourite characters called anything else?