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An Unnatural Vice: out now, with more art!

An Unnatural Vice, book 2 in my Sins of the Cities sequence, hits the ether today. unnatural vice

Sins of the Cities is my take on the Victorian sensation novel. There’s murder, family secrets, disputed inheritance, peculiar lines of work, ongoing love stories, and fog. Lots of fog.

In fact, An Unnatural Vice is set during a real fog which was one of the worst of the 19th century. And I don’t just mean it was a bit murky out. The combination of pollution from home fires and factory chimneys and the murky atmosphere of a low-lying city in a river valley meant the air basically curdled. The 1873 fog lasted for a full week, during which time the Smithfield Cattle Show was held: more than 50 prize cows died of suffocation. Theatres had to be closed because nobody could see the stage. People died of respiration problems, in their hundreds, and also because they walked into ditches and the river.

A reporter wrote of a different and less severe London fog:

Night appears to be pressing close against the window-panes at noon-day… Traffic is not interrupted, although daylight is completely extinguished–so long as the pall remains above the housetops. When it descends to the surface of the ground, the discreet remain indoors; belated pedestrians are conducted home by link-boys […]; cabmen lead their horses, and vehicles moving at a snail’s pace frequently come to grief; the driver of the tram-car is unable to see his horses, and the conductor is hardly able to distinguish the hand that passes the fare.

To reiterate: that fog she’s describing is less bad than the 1873 one I use in An Unnatural Vice.

They called them pea-soupers for a reason. The air was thick; the fog would create banks in side streets and enclosed areas. You could not see to cross the road; lifelong Londoners would be hopelessly lost in their own neighbourhood. Now imagine you’re dodging a murderer…

An Unnatural Vice is set in that fog, and stars journalist Nathaniel Roy and fraudulent spiritualist Justin Lazarus, as they try to see their way clear in every sense. Nathaniel is a privileged moral crusader still mourning his long-dead lover; Justin is a gutter-bred scam artist who pretends to contact the dead for a living. It goes as well as you might expect…

“Spirits, if you wish to share your names now, give us that gift. Mark them where we may see them, if we are worthy to be told. Let us see now.” Lazarus closed his eyes, tilting his head back to expose his throat, a priestly action that had a wholly secular effect on Nathaniel.

Justin Lazarus was without question a disgraceful fraud, but as his lips moved in silent prayer, Nathaniel could not help the thought that he looked like a glorious fuck. The bad kind, of course; the kind that left a man feeling dirty and ashamed and degraded in his own eyes. The kind Nathaniel had never had in practice, and wouldn’t have admitted to imagining, but could see all too clearly. Bending the medium over his own table, holding him down. You want the furniture to move, Mr. Lazarus? That can be arranged.

All About Romance gave it a grade A/Desert Isle Keeper review, saying “I thought the first book in the Sins of the Cities trilogy was terrific, but this one is even better.  …  Their mutual enmity and lust are palpable, and the evolution of their relationship – from bitter enemies to devoted lovers – is gripping and romantic.”

I hope you enjoy it!

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The Sins of the Cities trilogy has an ongoing series plot (think of it as a sort of inside-out three-decker Victorian novel), so while you can read this one alone if you must, it’ll make more sense read after An Unseen Attraction. Book 3, An Unsuitable Heir, is out in October.

And to celebrate, let’s have some Mila May art…here’s Nathaniel, Justin, and Justin’s housemaid Sukey. The complete set of cards dealt so far can be seen here.) Enjoy!

CARD_NATHANIEL(2.25 x 3.5)CARD_SUKEY(2.25 x 3.5)CARD_JUSTIN(2.25 x 3.5)

Rag and Bone: the graphic novel!

Rag and Bone smallI am thrilled to announce that, in line with the publication of Rag and Bone, artist Mila May has created a graphic novel-style version of the events of chapter 2. Which are, let me say, quite sinister events.

Rag and Bone continues the story of Ned Hall, waste-man, and Crispin Tredarloe, accidental warlock, who first appeared in ‘A Queer Trade‘. (You don’t have to read ‘A Queer Trade’ first. I would, but hey, I’m that sort of person. Anyway, it’s 99c. What can go wrong?)

Ahem. So we’re in the Victorian London of my Charm of Magpies series. Ned buys and sells used paper from his store next door to a rag and bottle shop. Crispin’s life is slightly more complicated. He was trained to use his magical powers via a pen made from his own fingerbone that writes in his own blood–a dangerous, unlawful practice. He could be arrested for it, but that’s the least of his problems: a blood pen can steal your soul.

Luckily, after the events of ‘A Queer Trade’, Crispin’s been learning to manage his magic the proper way, without using the illegal blood pen. So everything’s absolutely fine now. Right?

Without further ado: I give you Mila May’s Rag and Bone.

 

Rag and Bone graphic novel extract

Rag and Bone is out now from Samhain.

Mila May is available for character art, covers and more. Her attention to detail slays me every time.

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Rag and Bone will be my last book with Samhain, as they are very sadly closing their doors. They have been a wonderful publisher to work with, taking on my first book out of the slush pile at a time when Victorian paranormal m/m romance wasn’t even a subgenre yet. My editor Anne Scott has been endlessly helpful and supportive; all my covers with Samhain are glorious, from Lou Harper, Angela Waters, Kanaxa, and Erin Dameron-Hill. I will miss them quite painfully and they are a massive loss to the romance community and to publishing. I’m glad Rag and Bone made it out under their aegis. They are still in business, just not taking on new titles as they wind down, so check them out here