You’ve written your book. You’ve slaved over the plotting, wept blood on the characterisation, drunk your way through the sex scenes, got yourself under GCHQ scrutiny thanks to the websites you’re visiting for research, squeezed out multiple thousand words through your finger ends, and typed The End. But are you really finished?
Here, in honour of sending off my sixth book to the publisher, is my cut-out-n-keep Book Completion Checklist. It won’t catch everything but it might save you a bit of humiliation as the editor finds a delicate and tactful way to tell you you’re an idiot.
Have you removed vestiges of previous drafts?
That character who used to play a plot role? That conversation that no longer leads anywhere? The dinner party introducing half a dozen people who never come back?[i] The reference to the giant octopus that wasn’t actually in the finished story at all?[ii]
Have you got the characters’ names right?
Does a character’s name randomly change in the course of the book?[iii] If you changed the character’s name, say from Tim to Felix, did you click ‘replace whole word only’, or is your MS now full of words like ‘felixing’ and ‘infelixate’[iv]?
Did you go back and do the things you meant to go back and do?
Notes to self are a very useful way to get over a passage you’re stuck on without breaking flow, but is your editor going to come across ‘DESCRIPTION’ or, even worse, ‘HOT SEX SCENE HERE’?[v]
Have you found your Word of the Book?
There’s always one. Maybe for some bizarre reason you’ve qualified everything as ‘a little’. Maybe your characters have all developed the same nervous tic of shrugging, sighing or eye-shutting. Maybe you’ve used the word ‘glee’ thirty-two times in 60,000 words, despite the book not in fact being about high school musical societies.[vi] That Word function where it highlights all occurrences of what you’re searching on can be enlightening. Not to say blinding.
Have you tied up all your plot lines?
Is it all neatly squared away, with nothing dangling and unresolved? If the book includes, say, a plot-crucial murder, have you remembered to tell the reader who did it?[vii] (It’s useful to write your synopsis when the book is finished; it can be a very quick way to find out if you’ve actually made any sense.)
Did you do a timeline?
Not ‘are you pretty damn sure you’ve got the sequence of events right in your head’, but did you do it. Have you checked that pregnancies last approx 9 months, hawthorn isn’t flowering in what turns out to be September, everyone isn’t busily heading to work on Sunday[viii], it’s physically possible for all the action to take place in the time allotted, and that you haven’t just had it become night right in the middle of daytime because drama[ix]?
Have you done that other thing?
You know, the one you meant to do? It was in that scene, and you didn’t write it down when you thought of it because there was no way you could forget something so pivotal to the book? That thing? No? Oh well, never mind. You’ll remember what it was right after you’ve clicked Send.
[i] Georgette Heyer, The Toll Gate and Charles Dickens, Martin Chuzzlewit, to name but two
[ii] The Goonies. Yes, I know that’s a film.
[iii] Terry Pratchett, The Colour of Magic, error still there after more than three decades
[iv] KJ Charles, editor, error caught before publication
[vi] KJ Charles, repeat offender. If these get through, it’s not my editor’s fault
[vii] Raymond Chandler, The Big Sleep (not just uncaught but an eternal mystery because the author forgot. “They sent me a wire asking me [who killed the chauffeur], and dammit I didn’t know either.”)
[viii] Me again. Thank God for editors
[ix] X Men 3: The Last Stand